Ciò che vide il maggiordomo

If there is one quality that unites and distinguishes the works of Joe Orton, it is the ability to scandalize his audience by addressing recurring themes of late 20th-century British drama such as fear, alienation, homosexuality, violence, and power. He did this during his lifetime with “Entertaining Mr. Sloane” and “The Ruffian on the Stair” and posthumously with “What the Butler Saw.”

The latter takes place entirely in a psychiatric studio where embarrassing situations, attempts at seduction, identity exchanges, assaults, and fights intertwine, reminiscent of absurd theater while still showcasing characters that remain absolutely credible. The play is characterized by masterfully provocative dialogues and the almost schizophrenic rhythm of French vaudeville, with incessant entrances and exits of characters caught in misunderstanding or in flagrant guilt.

“What the Butler Saw” is a frenetic and brilliant work with a disorienting and absurd ending that has all the qualities to entertain and amuse the audience.